What's in the bag?
It's somehow inevitable that as soon as I left Dartmouth, the film series stopped included Marx Brothers Doubleshots and played two movies that I would have loved to see in the first week: Run Lola Run and Sin City. In retaliation, I found Run Lola Run at the local library and watched it last night — a full day before it played at Dartmouth!
It's a very enjoyable movie. The plot is fairly simple: a fiery-haired girl has twenty minutes to find 100,000 marks or her boyfriend will be killed by the gangster who employs him. The movie follows her attempts to find the money, which are complicated by her moped having been stolen earlier in the same day, forcing her to get around Berlin on foot. Parts of the movie are a little strained: for example, several early parts are animated, and while the animation recurs in one particular moment throughout the film, it's never really clear why. Lola also screams when she's feeling particularly pressed by chaos; it's an interesting effect, but largely ignored in the middle o the film to return in a pivotal moment at the end. However, these are minor quibbles, and the majority of the movie is quite successful, as it blends music-video-esque quick scenes and cuts and a frenetic pace with an engaging story.
Hollywood's been in a slump lately: even with the (relatively) critically acclaimed Batman Begins and the LucasArts shit-into-gold machine that was Episode III, ticket sales are at a 20 year low. A number of explanations have been proposed: the growing prevalence of DVDs and DVD rentals, large screen TVs, movie theaters tending to be enormously shitty places to go, etc. While those probably all contribute — particularly the combination of the cost of movie tickets and the stock car experience you get — but I think it's also partly a result of the complete lack of innovation in Hollywood currently. Except for Sin City (and even that was an adaptation of a comic, not an original work), nothing Hollywood has produced recently has been even vaguely interesting, and even the American public is likely to eventually get tired of the same by-the-numbers stories, bland camera work, and uninspired direction. If Hollywood wants to get moviegoers to start going to movies again, it needs to start making movies worth going to, and xXx: State of the Union is not the right place to start.
